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Working on velour paper can be quite tricky. It feels a little like suede and so can mark very easily when you don't want it to.

Pastel pencils

I find that a clean nail brush is ideal for perking up the pile on velour.

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Creating Nicci

This is a piece that I did for my college course. The brief was to create a portrait of a horse with reigns and bridle.

I chose to do this piece in oils on mountboard.

The original image is by a friend of mine who is a great photographer - Claire Hirst.

Step 1 Outline

I used the grid method to transfer the outline from the original image to the mountboard. The original is around 6 x 8 and the finished painting is just over A3 size.

 

Despite this shot, the grid is square and straight on the page! My camera work and cropping, on the other hand, are not ;0)

Step 2 Sealing the board and the image

A this stage it's a good idea to seal the board, and the outline, with a very weak coat of acrylic. It doesn't matter about the grid or the outline as this will gradually become obscured with the oil paint.

Step 3 Scrubbing in basic colour

Now it's time to get some basic colour in there so that I have a base coat to work with.

Step 4 Adding darks and lights

Dark and light areas are gradually built up over the base colour using glazes to add depth to the painting.

Step6 Adding the detail

Once I'm happy with the general colour and foundation of the painting, I start to add more depth to the shadows and highlights.

Step6 Adding the detail

Finally the finished piece!


black cat